My big trip to Sydney.

From my point of view, the most fascinating piece in the art gallery of New South Wales is The Golden Fleece by Tom Roberts. The longer you look at it, better it becomes.  At first it seems like a simple scene of shearers working in a dusty woolshed, but Roberts turns that ordinary moment into something almost heroic. The way the light cuts through the shed, the warm haze in the air, the workers completely absorbed in what they’re doing — it all feels incredibly alive. What grabs my attention the most is how he transforms a tough, everyday job into a scene with the weight of a legend. Even the title, inspired by Greek mythology, adds a clever twist: the “golden fleece” isn’t being sought, it’s being produced. That mix of realism and subtle humour makes the painting stand out. From the gallery as a whole, I’d highlight its talent for blending history, identity and atmosphere in a way that doesn’t feel forced. Many artworks there don’t just show something — they say something. Rober...

  When I head to the Sydney Opera House, I usually take a bus, train, or ferry to Circular Quay , since it’s the closest stop and only a quick walk along the harbour. Every time I get closer, I’m reminded of its creator, Jørn Utzon , the Danish architect whose bold and futuristic design completely changed modern architecture. If my family wanted to join me on a guided tour inside, we’d have to pay for it, since only the outside and public areas are free. Still, exploring the interior and hearing the stories behind the building always feels worth it. It also makes sense that the Opera House was added to the UNESCO World Heritage List in 2007 , thanks to its artistic and engineering brilliance. And if I go by car, having an Opera House membership helps me save money at the nearby Wilson car park — a small but welcome bonus. In the end, every visit feels like a full experience: an easy trip, an iconic building, and a walk along one of the most stunning harbours in the world. I chos...